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Please log in. Justin Beach has been writing for more than a decade, contributing to a variety of online publications. He has a Bachelor of Science in computer information systems and additional education in business, economics, political science, media and the arts.
By: Justin Beach. Are There Different Types of Copyrights? Implications of Copyright Law. Live Recordings It is illegal to record an artist's performance without the performer's permission. Copyright Recordings of live performances can actually be useful for copyright purposes. Alternatives Some music can be played without a license or permission. In this particular case, since the bootleg videos were distributed commercially, the defendants could potentially also have been held liable under the criminal anti-bootlegging statute.
Most musicians in the U. But when it comes to live performances, there are times when copyright law is not applicable at all. Rather, the person who records the video owns the copyright in that video. So what is a performer to do? Nobody wants to litigate. But if musicians want to ban cell phone cameras at their concerts, or try to remove bootleg recordings from sites like YouTube, they should be aware of the legal basis for doing so. If live performers happen to own the copyright in the musical composition recorded in a video, then such performer s , as owner of the musical composition, could say that the video is disallowed because the person using their phone failed to get a license to use their song.
Musicians who are recorded without their permission can always rely on the anti-bootlegging statute as a legal basis upon which to forbid recording. This distinction may sound trivial until musicians try to get unauthorized videos taken down from YouTube. YouTube has mechanisms -- namely, its ContentID system -- for copyright owners to demand that their work be removed from the site.
The procedure for getting the materials removed is entirely different than a copyright infringement claim. The fact that there is a federal anti-bootlegging law may come as a surprise to concert goers who have long watched concerts through their cell phone screens. The soundcheck is the closest you will get to an accurate test before the actual event, so do an extra check then.
Listen to the recording for weaknesses, such as thin or distorted audio. Find ways to fix these problems and improve the final recording. Move them back if the music sounds a little loud or distorted. Turn on your recorder and leave it in place during the concert.
Also, check the microphone cords on occasion to see that they are all plugged in and working too. You might be able to reposition your gear, for instance. If you took care when setting it up your equipment, the recording will most likely turn out fine. However, hiccups are inevitable, so having a backup plan always pays off! Method 2. If you have a chance, introduce yourself to the sound operator in advance. Many venues have a front of house FOH sound system that controls sound in the venue, and you can use this to set up your recording equipment.
However, the equipment varies wildly between venues, and not all sound operators work the same way. Let them know that you want to record the show, and ask for their help. No matter who you talk to, being polite will make it more likely that you get a great recording. They may be recording the show themselves or simply not have room for your equipment.
Examine the sound system to determine how it works. First, find out if the control panel has an output you can connect your recorder to in order to record sounds from it. Then, ask what instruments the operator plans on picking up through the mixer. The operator can cut out the sound from different instruments to prevent them from getting too loud, and it can have a serious effect on your recording.
If you run into this problem, you can deal with it by using a mic splitter and your own microphones. A mic splitter sends a separate recording to your recorder and the sound system. For example, guitars are often recorded this way, and, as soon as the guitarist turns up the amp, you get clipping in your recording.
Connect your recorder to the sound system, if possible. If the mixer control panel on the sound system has an output and no one else is using it, you can take advantage of it. You will end up with a stereo recording, which means that the recorder picks up the sound in full.
The downside is that it requires good cooperation between you, the sound operator, and the band. The operator has to keep the sound levels consistent for this to work. If someone suddenly turns up an amp, for instance, your recording will end up distorted. Set up a mic splitter in order to capture sound independently.
To be able to do this, you will have to get a separate piece of hardware. The mic splitter connects to both your recorder and the sound system so they both record the sound.
Make sure your mic splitter has input ports for any extra microphones you plan on setting up. Set up extra microphones to record different parts of the concert. If the venue allows you to set up microphones, you can connect them to a mic splitter to get a fuller sound. You could also set a few condenser microphones to the left and right of the stage, since they are much more sensitive than other types of microphones.
To record individual instruments, place your own microphones on the stage, such as one near the drums. By doing this, you can record each sound source separately. You can then edit all of these recordings into one perfect concert. Monitor the recording equipment while the concert is going on. Just make sure your recorder and microphones are on. Keep an eye on them throughout the show to ensure they all continue to work.
If you know how it works, you can figure out how it affects your recording. Note when the operator adjusts the volume levels and remind them of your recording if you think the changes will hurt it.
If you know the performers, you may be able to give them instructions, such as reminding them not to tune their instruments up too high.
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