So I let them have all of it. I get it now. Olson: A son and father came up to me at a convention. DiMaggio: I had no clue as to how big a worldwide success it would become. We were in the Thanksgiving Day Parade, floating down the street. I never imagined it, and how can you? Shada: They had a bullet train in Taiwan that they painted all custom Jake on one half, Finn on the other half.
We went to Australia to meet fans and a guy had done a mural on the side of his house that was the treehouse [where Finn and Jake reside] and all the different characters were on it. We went and got pictures outside of that, me and John. Muto: We would see with characters what kind of response they got. I mean, we would basically just use whatever characters we liked, but if you saw that a character got a good reaction, you might be more tempted to use them.
Not in an exploitative way. Muto: We have characters that are, like, super divisive. Sorcher: Pen is highly intelligent, very, very thoughtful and empathetic and shy, shy -- and clearly a person who had never had to run an enterprise, which is what a television production is. When there was talk of turning it into an episode, I was eager to get to work on it.
And by doing this one episode, you could see what all the other episodes would be if they were Fionna and Cake instead of Finn and Jake. I wanted to give you all the information you would need to translate every other episode into that. Everything just feels so considered. Sorcher: The show got more serial, it got a little bit darker, it went into more intense themes, and it did travel to a slightly different audience than when it started. But by then you had a group who had masterfully succeeded in producing something new.
I felt they had earned the right to tell the stories they wanted to tell. Pott: I felt very new, like I was walking into a high school in the last year. Sorcher: "Adventure Time" was playing less and less on Cartoon Network, yet we were moving towards a large volume of episodes.
So we were already an anomaly. Muto: When we picked the last episodes, I tried to make it so that a lot of them could function as the last episode for that character.
Like this could be the last Tree Trunks episode, that could be the last Lemongrab episode. Olson: Adam Muto had a really great way of putting it, that the ending of the show was getting stretched and stretched and stretched out because of how softly they let us know. Muto: I freaked out a little because endings are so hard on TV shows.
And I'm going to turn off my Twitter when the episode airs. I feel like we were able to have moments of what the show always was and things that were important to us that, regardless of reaction, I think will be satisfying to the people that made it.
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Sep 3, , pm EDT. I write about film, television, pop culture, and other fun stuff. Jake the dog and Finn the human. Ooh, I-I have a hand too, y'know? I can lend you one Check out my cool hand! Finn and Jake are walking towards the Princess Potluck. Finn complains that his callus on his ankle, due to his missing sock, is going to ruin his fun and the party. Jake assures him that they will have tons of fun, and that he will get compliments on his make-up.
Finn says he looks like a target, after which an arrow whizzes behind Jake's head from somewhere off-screen. The two arrive and Finn gets excited about a bounce house, which turns out to be Bounce House Princess.
She invites him in, but he declines. She welcomes them and asks Finn about his leg, who explains that he cannot find his sock and got the shoe rash. BMO opens the door of the Tree Fort while carrying an egg, singing a song about being pregnant as it is walking along. It holds the egg up in the air, but a butterfly accidentally knocks it down and breaks it, making BMO cry.
It was morning time in the Candy Kingdom , and the scene starts in the quiet bedroom of a sleeping Princess Bubblegum. Ice King crawls out from under her bed and takes out a roll of duct tape. After commenting that she looks beautiful when she is sleeping, he puts duct tape over Princess Bubblegum's mouth, causing her to immediately wake up with a muffled protest.
Jake: Just the edge, kid, then I'll work it like a pro. Cartoons series, with early incarnations of Finn and Jake receiving a pep talk from Honest Abe on Mars. Reading this on mobile? Click here to view. It's not a very inspiring story. Perhaps more inspiring for prospective animators is what happened next.
Ward's adventure short went viral, with over a million views online, and after a short apprenticeship as a storyboard artist on Cartoon Network's The Marvellous Misadventures of Flapjack, he was given the opportunity to turn Adventure Time into a full series.
Ward took the loose, sketchy animation of the short and expanded it into something noticeably bigger and brighter. The result was a fizzing, iridescent sugar rush of a show, detached from the spangly, shallow pre-teen dramas and lumbering faux-anime that seem to dominate children's TV.
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