Religious thinkers, artists, poets, utopians, and research scientists picked up various elements of his corpus and used them as the basis for their own ideas. This led to trouble. The futuristic charge in these ideas remained palpable well after the Soviets began to officially suppress them during the Stalin years.
Cosmist thought would be forced to gather in the back channels of the Soviet space program or to live in drawers dedicated to unpublished manuscripts.
With the fall of the Soviet Union in , various threads began to reemerge in public discourse; the name reappeared as well. The push to draw the threads together into a long-lost alternative genealogy began. Cosmism is now remembered as a unity, like a lost civilization, one whose secrets might help Russians and non-Russians alike confront the new orders of endgame. The ideas provide the trilogy with a script, but they have been arranged to make a discontinuous narrative and a flitting weave of changing scenes in which cosmist ideas are shown and told.
An unseen narrator is joined by a changing group of actors, who come forward as scientific assistants, librarians, museum visitors, and people living more or less traditionally in the countryside, all of them speaking Russian. Both the learned and the unlearned utter the Fedorovian cadences, but no expert comes in to speak from the top. In this way, digressing and returning to the ups and downs in a spray of cosmist points, the film puts cosmist ideas forward one by one, solemnly, slowly, almost ritually, implying but not stating a politics.
This approach gives the viewer time to listen and take in the concepts. The ideas keep wandering back and forth across the lines between life and death; past, present, and future. The time of the film expands into zones that do and do not seem biblical. The voices seem to be transmitting ancient wisdom, some of it Egyptian, problems from time immemorial.
They come as messengers. After all is said and done, there is no single point of view. Because the energy of the cosmos is indestructible Because true religion is a cult of the ancestors Because true social equality means immortality for all Because of love, we must resurrect our ancestors from cosmic particles As minerals As animated plants Solar Self-feeding Collectively conscious Immortal Transsexual On Earth, On spaceships, On space stations On other planets.
The material work of the cosmists is presented as pieces, only parts, of ongoing research. Wisdom never comes entire. An idea appears in its granular beauty as a particle, as matter that matters, as something we still cannot fathom, whether nineteenth-century or modern.
The idea is here as a humble ideal, something toward which to strive. Incantations from hypnosis therapy for drug addiction reset the story, pull us to the plane of the cosmists, and bring us home again. Baths of red light provide us with unsuspected benefits. In the second film, we see one of the chandeliers being constructed under a blazing sun. The sun shines on this cosmism. This cosmism soaks up the sun. Is this a foretaste of eternity itself? The films do not attempt to answer questions like these.
They simply let the physical point of the ideas find new delivery routes into the mind and body of each viewer so that the Common Task might be felt personally as a high order of solidarity or brotherly love.
It will be there when we watch the sky go through its motions, as if for us, but never really for us alone. Through the development and implementation of a Strategic Plan, along with hundreds of community and family engagement sessions over the years, DPSCD has experienced improvement for the first time in decades in the areas of enrollment; student achievement; student attendance; teacher recruitment, retention, and pay; leadership development and stability; student programming, including expansion of the arts; and financial stability.
This improvement has led to reduced levels of financial and program oversight and monitoring by the federal and state government. DPSCD was one of only a few large urban school districts to open all its schools in and provided teachers and students with the opportunity to teach and learn in person or online.
This school year, DPSCD has created its own virtual school, returned all students back to in person learning, expanded summer school and after school programming, placed a nurse in each school, and provided mental health support in each school. By January , Dr. Vitti will present a draft year facility plan to the School Board and commence an expansive community engagement process to seek feedback on the plan. Before arriving in Detroit, Dr. During his four and a half years at DCPS, the district ranked among the first to fourth highest performing urban districts in the nation on the National Assessment for Education Progress.
Under Dr. Vitti was previously chief academic officer of Miami-Dade County Public Schools, assistant superintendent for the Miami-Dade district and deputy chancellor at the Florida Department of Education.
He also served children as a principal, dean of students, and teacher. Disturbing Conventions PDF. Dracula PDF. Echt Sanne PDF.
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